As a long admirer of Muhammad Ali I had mixed feelings about this exhibition. I wondered whether it would do justice to one of my heroes.
My fears were unfounded. The exhibt is a series of powerful and intimate photographic portraits of a man regarded as the greatest athlete of any era.
The photographs on display were taken by David King when he was the art editor for the Sunday Times. King's 25 black and white pictures document Ali as he prepares for his showdown with George Forman for the world heavy weight boxing title.
The contest took place in Kinshasa, Zaire, in October 1974. It was hailed as the `Rumble in the Jungle'.
The first portrait you view as you enter the tiny gallery, is one revealing Ali's broad and muscled back being rubbed by a gnarled old hand. The raven colored hand is caught on film by the photographer with a slight blur movement on the boxer's brown skin. This contrasts vividly with the pitch-black background.
Another picture shows Ali in the boxing ring displaying his magnificent physique and presence. He shadow boxes, while spectators look on in awe and admiration. He dances around the ring in the same way as Rudolf Nureyev would dance on stage; with beauty, finesse and elegance.
A huge photograph sees Ali in boxing headgear staring straight at the camera and almost in a sense beyond it. The picture seems to elicit the message that somehow Ali was on a mission and no one would deprive him of his eventual goal, least of all his boxing rival George Forman. The picture had almost a mythical and spiritual quality to it.
As you walk down the stairs of the gallery there is a stunning picture on the landing. It is Ali pounding on a punch bag. It shows in sharp and brillant detail the copious amounts of sweat coursing out of what seems to be every pore of the boxer's gargantuan body.
In one portrait King puts half of Ali's face in silhouette, which enchances the remaining half of Ali's beautiful facial features. The years of boxing and Parkinson Disease at that stage, had not yet dealt a cruel blow to him.
The highlight of the exhibition is a series of marvellous head portraits, each displaying contrasting facial expressions of the boxer. Ranging from intensity to serenity.
These portraits which concludes the exhibition, aptly sum up Ali as a multi-faceted and complex person. There is no doubt that his persona transcended boxing.
Ali was a role model, icon, protester, leader and sportsman all rolled into one. David King has done a magnificent job in encapsulating this in his exhibition.
"Float Like A Butterfly" is at Proud Galleries in the Strand, London. The cost of entrance is free but donations are welcomed.
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